Where
did you grow up?
Seattle, Washington
What influences did you have growing
up that made you become an artist?
I was exposed to art early on in every form (music, dance,
theatre, museums, etc.) and those experiences sparked the
well-spring of my own creativity. Until I was fourteen, when
we moved closer to town, we lived on a bluff overlooking
the Puget Sound with an unobstructed view looking west toward
the Olympic Mountains. I can’t underestimate what a daily
dose of that magnificent view had on me: the constantly changing
light, sky, water, distant mountains and sunsets. It’s very
close to the spiritual and is still with me to this day,
always will be.
Tell us a bit about your art:
Now it is almost all abstract. Most of my training is academic,
however; I took years of anatomy & figure drawing, which
I consider the foundation for any artist, whether abstract
or representational. In 1995, I won first prize in the national Faber Birren Color Award Show for my unique and creative
use of color, but now I work mainly in white, shades of white
and black & white.

What would you consider your style?
Abstract and expressionistic.
How long have you been painting?
Where did you study?
I’ve been painting for twenty years. I studied at The Art
Students League, the National Academy of Design and Parsons in New York City. My B.A. Degree is in Writing from the University
of Washington, as my parents didn’t approve of me majoring
in art in college!
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Do you ever do commissioned work?
Yes, under certain circumstances.
What are some questions you ask
your clients before you begin a project?
My favorite commissions are from people who say “we need
one of your paintings in this size” and leave the rest up
to me. I am lucky to have had many of these commissions for
which I am very grateful and I know my clients are happy
too.

Are your clients – designers,
homeowners, collectors?
They are designers, homeowners and several corporate collectors.
Who are some artists that have
influenced your work, and how?
Artists who have inspired me are Grace Mitchell, who is
among the very few artists who can paint the essence of light. Goya for his great emotionality, Rauschenberg for the feeling
of freedom his work exudes and Antonio Tapies for his work’s
boldness, rooted in reverence.

What are some trends we should
look out for in art?
This past Fall, I saw a lot of large-scale installations
in Chelsea, so this seems to be a trend on the rise, especially
with young artists.
How does your art reflect in what
you wear?
I am very sensitive to what “line” clothing creates on the
body. I have the same sensitivity to line in my art. Combining
textures (in my art & what I wear) is secondary to line,
but very important. For instance, I like to wear both smooth & rough
articles of clothing like chunky silver accessories with
smooth cotton or wool.
Tell us about your upcoming show:
The show will consist of my abstract paintings, plus some
sculpture and works on paper. Tatiana Mori is an excellent
curator and she has also asked me to do a special sale of
my one of a kind art wear/jewelry at the Bendheim Gallery on March 26 & 27. So many artists throughout time have
done jewelry and she understands that it is an art form,
just like I do.